In some tracks, the curved surfaces are replaced with flat surfaces, with different angles in each section. Such a track can be regarded as an array of prisms arranged in a circular fashion, with steeper prisms on the edges, and a flat or slightly convex center. In the “The Valley”‘s first (and largest) take, each section was actually a separate prism. ‘Single-piece’ vocal lenses were later produced, being used for visual magnification of the auditory spectrum. Additionally, computer-controlled falsetto equipment was be used to manufacture more complex arrangements.
released March 5, 2011
Produced by Adam Marshall and Mike Milosh.
Recorded at Deep Space Mix, Berlin.
Mastered by Dietrich at Complete, NYC.
all rights reserved